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Elements of chance and danger are wonderful and frightening to experience and, though I bemoan the recklessness of youth, I wonder what the world would be like without it. I know this is wrong, but I am for the spirit that makes young men do the things they do. I am for the glory that they know. ---Sigurd Olson
When Northern California extreme kayakers talk about the South Silver there eyes light up. It's a classic 2-mile run over smooth granite with steep drops, teacup pools, and a water slide like ride down a giant flume that boaters like to sprint it over and over again. Technically challenging at Class V, this remote creek section went unnoticed until the late 1990s. Back then, as whitewater kayaking was on the rise, paddling river cowboys roamed the California rivers and creeks with only one desire: to paddle their plastic kayaks down their torrents and rapids and grab the mythical glory of being the first one to do it. For a group of paddling pioneers, the South Fork of Silver Creek would be that prize.
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| Photos courtesy of Duncan Mine |
"You know doing a first descent is basically the crème de la crème for a kayaker," Mikey Juarez, says in South Silver the First Descent, the new film from Duncan Mine, a Northern California Production Company, "To do something of the stature that, that we look back now and look at this creek, South Silver, it being one the most popular rivers in the state of California and bringing people from all over the world to run, you know we're very for fortunate."
The film was inspired after Duncan Mine's Scott Blankenfeld heard about the creek's first descent from local paddler Andrew Boucher. For the past couple of years, Duncan Mine has been showcasing athletes doing their thing on their home turf.
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| Scott Blankenfeld |
All the paddlers featured in the film were thrilled to recall their shared unique story in California whitewater history and the tale of their first descent down the South Silver.
"They opened their doors," said Blankenfeld, "Gave us their time, shared footage, and trusted us to do a good job telling their story."
Produced on a limited budget, the film interweaves old footage of the then younger kayakers and their old-school boats with contemporary shots with today's newer creek boats and helmet camera video of kayaking.
"We acquired two sets of archival footage for this project," said Blankenfeld, "Jared Noceti lent us his Hi-8 camera and tapes for us to digitize, log, and use. This footage was used for the "kayaking in the 90's" opening montage, and more importantly, for the first running of the teacups segments."
With the original Hi-8 footage from the first full descent was lost over time, the production crew had to rely on an edited VHS video from 2001.
"Initially, we thought the tape was unusable as the play-heads on the VCR were dirty," said Blankenfeld, "Months later in the editing process, My co-director, Robby Hogg convinced me to take a second look on a different player and viola, the static was almost gone. This footage was then digitized and added really at the last minute. I'm so happy we did this because the film would not be the same without it."
Shot beautifully against the gorgeous backdrop of the high Sierra Nevada Mountains and edited with outstanding fluid pacing by Nick Warren, the film is more than just a kayaking highlight reel. But, rather an adventure story that captures the spirit of California's not-so-old whitewater history when as Jared Noceti tells us in the opening scenes, there was no internet or social media and paddlers could only rely on each other to tell their story.
"You got your input from not off Y-tube," said Noceti, "You input from your buddy. From his story. What he told about his experiences. And if you could figure it out on your own, you'll probably have that same experience."
An accomplished paddler himself, Blankenfeld hopes this film is only the beginning of sharing similar boaters narratives and will lead the video company to even larger projects in telling even more stories about California whitewater history.
"We want this film to be seen by as many people as possible," said Blankenfeld, "This was an opportunity to spend time with old friends and share a unique story of California whitewater."
